Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Henri Fantin-Latour
White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth

ID: 58784

Henri Fantin-Latour White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth
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Henri Fantin-Latour White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth


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Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.  Related Paintings of Henri Fantin-Latour :. | Glazen vaas met pioenen. | Still Life with Flowers and Fruits | Flowers and fruit | Immortality | The Two Sisters |
Related Artists:
BIGARNY, Felipe
Spanish Sculptor, ca.1480-1542
Jan ten Compe
painted view of the Town Hall in 18th century
DUGHET, Gaspard
French Baroque Era Painter, 1615-1675 Italian painter. He was one of the most distinguished landscape painters working in Rome in the 17th century, painting decorative frescoes and many easel paintings for such major Roman patrons as Pope Innocent X and the Colonna family. He is associated with a new genre of landscape, the storm scene, although of some 400 catalogued works little more than 30 treat this theme. His most characteristic works depict the beauty of the scenery around Rome, particularly near Tivoli, and suggest the shifting patterns of light and shade across a rugged terrain. Dughet drew from nature, yet his landscapes are carefully structured, and figures in antique dress suggest the ancient beauty of a landscape celebrated by Virgil. Very few can be securely dated; his development may be inferred from his few dated fresco paintings and from the wider context in which he was working. Most writers, following Pascoli, have divided Dughet's career into three periods.






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